We've been uncommonly keen to get our hands on the Sony NEX-FS100 ever since we first heard about it back in March. You see, this is no ordinary camcorder. Its spec sheet reads like a liturgy of filmmakers' prayers: a large Super 35mm Exmor CMOS sensor, interchangeable lenses, XLR inputs and proper, professional controls. Sure, it comes with a 00 price tag to match, but it also heralds a trend that should ultimately benefit pros and ordinary gadget denizens alike: the arrival of big, bold DSLR-style optics within dedicated camcorders. How do these optics effect the quality of the NEX-FS100's footage? Plant yourself somewhere comfortable and click past the break to find out. Cameras Sony NEX-FS100 review By Sharif Sakr posted Aug 26th 2011 4:00PM Review We've been uncommonly keen to get our hands on the Sony NEX-FS100 ever since we first heard about it back in March. You see, this is no ordinary camcorder. Its spec sheet reads like a liturgy of filmmakers' prayers: a large Super 35mm Exmor CMOS sensor, interchangeable lenses, XLR inputs and proper, professional controls. Sure, it comes with a 00 price tag to match, but it also heralds a trend that should ultimately benefit pros and ordinary gadget denizens alike: the arrival of big, bold DSLR-style optics within dedicated camcorders. How do these optics effect the quality of the NEX-FS100's footage? Plant yourself somewhere comfortable and click past the break to find out. Sony NEX-FS100 unboxing The sensor There's ...
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